Mary Medlicott, Storyteller and Author - Storyworks

Posts Tagged ‘A Child’s Christmas in Wales’

A fond childhood memory revisited

Saturday, December 26th, 2020

As the needle hovered above the disc on the record player, I felt almost fearful with expectation. When the needle was lowered and out came the first words of A Child’s Christmas in Wales, I felt as if what I was hearing had been created especially for me. It felt as if every word had been written with intention and love to convey what it is to be Welsh and to be in Wales at Christmas time.

The ritual listening to A Child’s Christmas in Wales took place each and every Christmas when I was a child of an appropriate age to listen to it.  The lead-up was always the same. Upon leaving the house where my family lived at No. 16 Vergam Terrace in Fishguard, I’d turn left and cross the road to the first house on the other side, No 1. At the front door, I’d reach up, lift the heavy brass knocker, knock three times and wait for the sounds of Aunty Mali coming to the door, pushing the draft excluder out of the way with her foot, opening the door and greeting me with her resonant ‘Hello!’

Inside the house, the fire would be roaring in the living-room grate. Already set out on the table would be cups, saucers and plates and, in a prominent position, the big, square gramophone with, beside it, a small pile of LPs in their brown paper sleeves. I knew what I was going to hear. I was going to hear the resonant voice of the famous Welsh actor Emlyn Williams, reading Dylan Thomas’s wonderful evocation of being a child in Wales at Christmas time. (more…)

Storytelling Starters ~ Breaking the rules

Saturday, December 9th, 2017

This week, I’m owning up to breaking what has always seemed to be a rule among storytellers. When first I fell into storytelling, it was the early days of the storytelling revival. At that time, as I wrote in this blog a while ago, even such a thing as including a poem in a storytelling session was regarded as not allowed. Ever since, I’ve also felt aware that, as a storyteller, I should never expect or be expected to read something in public. No. My role, I felt, was to maintain the distinction between reading and telling and to bring to the fore the art of telling without a script.

Doing readings:

So let me admit to breaking that rule on two London occasions (and also, I’ll now admit, a year ago down in Pembrokeshire too).  The second London occasion happened last Sunday evening; the first had taken place in December a year ago. On both these London occasions, my husband Paul was giving a concert at Clapham Omnibus Theatre in aid of Crisis, the homelessness charity. Paul does the singing with his friend Steve playing the piano and this year, I’d say, they outshone what they did last year and in their first Crisis concert the previous year too. It was during this year’s event, as during last year’s, that I did readings. (more…)

Storytelling Starters ~ Taking a risk

Saturday, December 10th, 2016

apple-star[1]I took a bit of a risk on Thursday evening. We were giving the second in our Enchantment series of Songs and Stories concerts at Pepper’s in Fishguard. This was Winter Enchantment. During the second half, I was going to do two readings – one from A Child’s Christmas in Wales by Dylan Thomas, the second the hilarious Twelve Thank-You Notes of Christmas, originally written by I’ve no idea who.

But in the first half, I’d decided to tell three short stories. The third was Baboushka, the poignant story of Russia’s Mother Christmas. (Put Baboushka into the Search box on the left of this blog; you’ll come up with my posting for December 17, 2011).  The second story was The Pointing Finger which I recounted here a few weeks ago on November 5, 2016.  The first was the story I call Star Apple.

Star Apple was a risk because I think of it as a story for children. But this was an audience of adults. Granted, I’ve told it at this time of the year to any number of teachers’ or parents’ workshops. ‘It’s a great story to tell to children,’ I say. ‘It’s easy to remember. It has the great advantage that it needs a prop (always a help because it gives you something to focus on). Besides it is about a star – and that is very seasonal as we think about Christmas.’

Why I decided to take a risk on it at Winter Enchantment is that the story is simple and magical and I thought some of my audience might be inspired to retell it at family gatherings over Christmas. Why not be ready with a story to entertain whoever is present? (more…)